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Stampscapes 101 Video 261 Skyscape Tonal Depth

stampscapes 101 Video 261 Skyscape Tonal Depth Youtube
stampscapes 101 Video 261 Skyscape Tonal Depth Youtube

Stampscapes 101 Video 261 Skyscape Tonal Depth Youtube Continuing on some stamp sketches from video 260, we'll define some deeper visual space within the scenes using tone and value. freehand application of colo. Creating visual depth with sky figures can bring an added dimension into a scene. there's a lot of potential wonderment that you can evoke for the viewers o.

stampscapes 101 video 262 skyscape tonal depth Ii Youtube
stampscapes 101 video 262 skyscape tonal depth Ii Youtube

Stampscapes 101 Video 262 Skyscape Tonal Depth Ii Youtube Jan 17, 2019 continuing on some stamp sketches from video 260, we'll define some deeper visual space within the scenes using tone and value. freehand application of colo. Feb 27, 2018 continuing on some stamp sketches from video 260, we'll define some deeper visual space within the scenes using tone and value. freehand application of colo. Jan 24, 2019 continuing on some stamp sketches from video 260, we'll define some deeper visual space within the scenes using tone and value. freehand application of colo. How to use the tonal applicator. what is it and how to use it and how not to. note: while the stamp can be used on non glossy paper, the ink spreads and b.

stampscapesв 101
stampscapesв 101

Stampscapesв 101 Jan 24, 2019 continuing on some stamp sketches from video 260, we'll define some deeper visual space within the scenes using tone and value. freehand application of colo. How to use the tonal applicator. what is it and how to use it and how not to. note: while the stamp can be used on non glossy paper, the ink spreads and b. Note: i know this isn't the greatest description of the method of the tonal applicator but all of the major points have been stated. one day we'll have some streaming video where i can actually show this tapping motion on the web and the angles. the biggest problems are run into when: 1) a color that is too dark is used to start the process. Oscillate your use of tone shade across a surface to create a varied surface of light and shadow. where the specific areas of light within a scene end up doesn't really matter as long as it's there. in this scene, this variation, is what creates the spatial depth within the rocks. original: dye based and pigment ink on 4.25" x 5.5" glossy cardstock. gel and alcohol pens. stamps used: boulders.

What Does Low Key Mid Mean What Does
What Does Low Key Mid Mean What Does

What Does Low Key Mid Mean What Does Note: i know this isn't the greatest description of the method of the tonal applicator but all of the major points have been stated. one day we'll have some streaming video where i can actually show this tapping motion on the web and the angles. the biggest problems are run into when: 1) a color that is too dark is used to start the process. Oscillate your use of tone shade across a surface to create a varied surface of light and shadow. where the specific areas of light within a scene end up doesn't really matter as long as it's there. in this scene, this variation, is what creates the spatial depth within the rocks. original: dye based and pigment ink on 4.25" x 5.5" glossy cardstock. gel and alcohol pens. stamps used: boulders.

stampscapesв 101 Lesson I
stampscapesв 101 Lesson I

Stampscapesв 101 Lesson I

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