The Riveting Wayang Kulit Shadow Puppet Shows Of Java And Bali Wayang kulit, wayang golek, wayang klithik. wayang kulit (javanese: ꦮꦪꦁ ꦏꦸꦭꦶꦠ꧀) is a traditional form of shadow puppetry originally found in the cultures of java and bali in indonesia. [1] in a wayang kulit performance, the puppet figures are rear projected on a taut linen screen with a coconut oil (or electric) light. Gamelan often accompanies traditional performances of wayang kulit, or shadow puppets, which tell elaborate stories drawn from hindu texts, indonesian myth,.
Javanese Shadow Puppets Wayang Kulit Traditional Performance In the ancient javanese tradition of wayang kulit, the medium of shadow puppetry is nothing short of a metaphor for the human soul. according to anthropologist clifford geertz, the puppeteer, or d h alang, intentionally designs and colors leather shadow puppets to symbolize the character’s inner qualities. Wayang kulit, an indonesian form of shadow puppetry, holds the audience’s attention with riveting storylines executed masterfully by the dhalang, or puppeteer.the puppets are made of buffalo hide and intricately designed, down to the most minute detail of costume and color, to help the audience distinguish between the different characters. A wayang kulit (leather shadow puppet) performance using kelir (thin fabric) as a border between the puppeteer (dalang) who plays the puppets and the audience. historically, the performance consisted of shadows cast by an oil lamp onto a cotton screen. Wayang, (javanese: “shadow”), classical javanese puppet drama that uses the shadows thrown by puppets manipulated by rods against a translucent screen lit from behind. developed before the 10th century, the form had origins in the thalubomalata, the leather puppets of southern india. the art of shadow puppetry probably spread to java with.
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